Top Filmmaking Articles of the Week - March 9, 2025
To be a filmmaker, you have to lead. You have to be psychotic in your desire to do something. People always like the easy route. You have to push very hard to get something unusual, something different.
-Danny Boyle
Top Filmmaking Articles of the Week - March 9, 2025
Here are some filmmaking articles that we found interesting the past week. We hope you enjoy!
IndieWire – Christian Zilko
“Fantasy Life” is a documentary that delves into the lives of individuals deeply involved in fantasy sports, exploring their passion and the impact on their personal lives. The film offers a nuanced perspective on the intersection of sports fandom and personal identity, highlighting both the camaraderie and the obsessive nature of fantasy sports participation. While the documentary provides insightful commentary on the cultural phenomenon, it may resonate more with viewers already familiar with or interested in fantasy sports.
No Film School – Jason Hellerman
The business card scene in American Psycho is a pivotal moment that encapsulates the film’s satirical examination of 1980s Wall Street culture. In this scene, Patrick Bateman and his colleagues obsessively compare their nearly identical business cards, highlighting their superficiality and intense competitiveness. The subtle differences in card design—such as font, color, and texture—become symbols of status, reflecting the characters’ vanity and the hollow nature of their identities.
Film Independent – Adam Vargas
A casting director is essential for assembling the right cast, streamlining production, and adding legitimacy to a project. They provide industry connections, expedite the casting process, and make a film more appealing to investors. To attract a casting director, filmmakers should present a strong project proposal, research potential collaborators, and leverage existing networks.
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Film Threat – Alan Ng
“No Address” is a drama directed by Julia Verdin that explores the personal stories behind homelessness in America. The film follows Lauren (Isabella Ferreira), a recent high school graduate who becomes homeless after her foster mother expels her. She finds refuge in a local encampment, forming bonds with individuals like Jimmy (Lucas Jade Zumann), veteran Harris (Xander Berkeley), dementia sufferer Dora (Beverly D’Angelo), and addict Violet (Ashanti). Each character represents common reasons for homelessness, such as abuse, financial hardship, addiction, and mental health issues. The narrative also highlights those dedicated to aiding the homeless, like Gabrielle (Patricia Velasquez), who works at a local mission. The film emphasizes that behind the statistics are real people deserving of compassion and support.
Indie Film Hustle – Indie Film Hustle
In a recent episode of the Indie Film Hustle podcast, Michael Trent, a seasoned film editor, discusses his journey and insights into the art of editing. Introduced to the craft by his father, a sound editor in England, Trent began working with editing equipment like the Moviola at a young age. He emphasizes the importance of pacing in storytelling, noting that many editors tend to overcut scenes. Trent believes in allowing scenes to breathe to effectively convey emotion. His collaboration with Steven Spielberg on Saving Private Ryan showcased Spielberg’s remarkable ability to visualize edits mentally, often suggesting changes that seamlessly enhanced the narrative. Trent also highlights the unique challenges of editing horror films, where timing is crucial to building suspense. He advises editors to be ruthless in their decision-making, removing any elements that don’t serve the story.
If you’ve found anything interesting this week let us know and we can spread the word next time!