How to Move to Vancouver or Toronto for Film Work: Budget, Visas & Job Strategy

How to Move to Vancouver or Toronto for Film Work: Budget, Visas & Job Strategy

I put my ideas into practice. That may be the reason people hate me.

Emir Kusturica

How to Move to Vancouver or Toronto for Film Work: Budget, Visas & Job Strategy

Moving cities for film work is exciting, and it can also be a money and momentum trap if you show up without a plan. This guide walks you through realistic budgeting, the basics of working legally, and a job strategy that helps you land your first calls faster.

Reality check:

  • Vancouver often has a stronger concentration of studio and service production. It is also one of the most expensive rental markets in Canada.

  • Toronto is a huge production hub and can be slightly less brutal on rent depending on the month and neighbourhood.

  • If you are not a Canadian citizen or permanent resident, you generally need a work permit to work on film or TV productions in Canada.

Who this guide is for:

  • Crew and creatives looking for steadier sets, more networking, and better long term career growth

  • People moving within Canada, and newcomers trying to work legally

  • Beginners who need a concrete plan, not vague advice

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Choosing between Vancouver and Toronto


Pick Vancouver if you want

 

  • A heavy service production environment and strong pathways into union departments

  • A film culture where “who you know” spreads fast once you are on a few sets

  • You can handle higher rent or you have roommates lined up

Pick Toronto if you want

 

  • A wide mix: commercial, TV, features, unscripted, and a deep indie scene

  • Easier access to work across the GTA if you are willing to commute

  • A big network that rewards consistent follow up and showing up to events

If you are undecided, choose based on your best near term advantage:

  • You already know people in one city

  • You have affordable housing in one city

  • You have a clear entry point department in one city

Housing usually decides the winner anyway.

Film set

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Budgeting for the move

Film careers hate cash flow surprises. Build a runway so you can say yes to last minute calls.

Target runway

  • Minimum: 2 months of living costs

  • Better: 3 to 4 months

  • Best: 6 months if you are new and have no in city network yet

Rent benchmarks you can sanity check against

For recent national rent reporting, Vancouver and Toronto have both seen year over year declines in asking rents in recent months, but they remain among the most expensive major markets.
For purpose built rental stats by market, CMHC publishes vacancy and average rent metrics by major centre.

Sample monthly budgets (CAD)

 

These are planning numbers. Your actual rent can swing a lot by neighbourhood and roommates.

A) Lean starter budget (roommates, transit, simple food)

  • Rent + utilities: 1,200 to 1,800

  • Transit: 120 to 170

  • Groceries: 350 to 500

  • Phone: 50 to 80

  • Basic health and insurance buffer: 100 to 200

  • Misc: 200 to 350
    Total: 2,020 to 3,100

B) Sustainable budget (one bedroom or nicer shared place)

  • Rent + utilities: 2,200 to 3,200

  • Transit: 120 to 200

  • Groceries: 450 to 650

  • Phone: 50 to 90

  • Insurance and medical buffer: 150 to 300

  • Misc: 300 to 600
    Total: 3,270 to 5,040

One time move costs people forget

  • First month rent + deposit

  • Furniture basics, workwear, rain gear, set kit items

  • Union or permit application fees and required safety tickets

  • A few Uber rides when call times are not transit friendly

  • Emergency fund for slow weeks between gigs

Visas and working legally in Canada

If you already have the right to work in Canada, skip to the job strategy section. If you do not, this part matters.

If you are not a Canadian citizen or PR

 

The Canadian government is explicit: film or television workers need a work permit to work on productions in Canada.

There is also a specific pathway where some film and TV roles may qualify for an employer specific work permit that is LMIA exempt if you meet the criteria listed by Immigration, Refugees and Citizenship Canada.
On the employer side, the International Mobility Program is the framework that allows certain LMIA exempt hires.

Practical translation:

  • You usually need a real production company to support your work permit

  • This is not the same as “I moved here and I am looking for gigs”

If you are deciding between cities and your legal ability to work is uncertain, do not guess. Start from the government pages above and work backward from your situation.

Health coverage timing

 

  • In British Columbia, new residents may have a wait period that is the balance of the month you arrive plus two months before provincial coverage begins.

  • In Ontario, the province states there is no longer a waiting period for OHIP coverage if you are eligible.

Filmmaking

How film hiring actually works in these cities

Most entry level work happens through:

  • 1st and 2nd degree connections

  • department lists and daily availability

  • someone needing a last minute swing

  • being known as reliable and easy to work with

So your goal is not “apply to 100 things.” Your goal is “get into the flow of calls.”

The job strategy: a 30 day plan that works

Step 1: Pick your entry department

Choose one primary lane for the first 60 to 90 days:

  • Production assistant, locations, art, grip, electric, costume, props, hair and makeup, set dec, office, post support

Do not try to be everything. People hire specialists they can trust.

Step 2: Build a one page crew profile

 

Keep it simple:

  • Role target

  • Credits or transferable experience

  • Your availability and city

  • Two references

  • Links: IMDb, portfolio, LinkedIn, short reel if relevant

Step 3: Get your basic safety tickets

 

Many departments expect certain certifications and kit. For example, IATSE Local 873 and IATSE 891 both reference department specific requirements and certifications for applicants and permittees.

Step 4: Do targeted outreach the right way

 

Daily for 2 weeks, send 5 to 10 short messages:

  • Department coordinators

  • Keys, best boys, assistants

  • Production offices for PA style roles

Your message should be:

  • 4 to 6 lines

  • Clear role target

  • “Available for day calls

  • One link

  • One sentence of credibility

Step 5: Turn your first call into your next 10 calls

On set, your goal is not to impress people with ambition. Your goal is:

  • be early

  • take notes

  • confirm tasks

  • stay off your phone

  • ask for feedback once, near wrap

  • get permission to follow up

Then follow up within 48 hours.

Slating

Union and guild pathways

You do not need to be union to start, but you should understand how the pipeline works.

Vancouver pathways

  • IATSE 891: applicants can become permittees if qualified, and membership applications are typically tied to days worked under agreement and department requirements.

  • Directors Guild of Canada BC: provides guidance for getting started and notes that people legally eligible to work in Canada can work as helper production assistants in BC.

Toronto pathways

  • IATSE Local 873: start by applying to become a permit in a department, and the local references a minimum days worked before applying for membership.

  • Directors Guild of Canada Ontario: outlines membership categories and pathways, including apprenticeship programs.

  • ACTRA Toronto: has an apprentice program and notes that background permits do not count as credits for joining in the way principal categories do.

If you are new, think of this as a two step game:

  1. Get enough days and references to be consistently rehired

  2. Use those days to qualify for the next tier

Where to find work without wasting your time

Use a mix of:

  • Local Facebook groups for crew calls

  • Production office availability lists

  • Student film communities for credits and referrals

  • Your own network with consistent follow ups

Also, if you are using FilmLocal, treat it like an engine:

  • Save searches

  • Apply quickly

  • Track who replies

  • Build a list of contacts by department

A practical moving checklist

4 to 6 weeks before

  • Choose city and department focus

  • Build your crew profile

  • Price housing and lock a temporary place for 2 to 4 weeks

  • Start outreach from your current city

2 weeks before

  • Book transport and initial essentials

  • Schedule coffee chats for your first 10 days

  • Confirm your availability and keep your calendar open

First 14 days in the city

 

  • Treat it like a job: 2 hours networking daily

  • Do 5 to 10 targeted messages daily

  • Attend at least 2 industry events

  • Say yes to day calls even if they are not perfect

Days 15 to 30

  • Follow up with everyone you met

  • Ask for one referral per week

  • Tighten your role focus based on where calls are actually coming from

FAQs

If you are working on a film or television production and you are not already authorized to work in Canada, the government states you need a work permit.

British Columbia can have a wait period for MSP coverage for new residents. Ontario states there is no longer a waiting period for OHIP if you are eligible.

You can, but it is much riskier. Film work is feast or famine. Moving with 3 months runway and a 30 day outreach plan is the difference between “I broke in” and “I had to leave.”

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